Founder's Take: What Matters Most
I remember my first holiday meal in prison. I’d just turned eighteen-years-old a few weeks before, my second of eight birthdays Inside. I was at Southampton Correctional Center in Capron, Virginia. There are still a lot of folks I remember who would have been in the chow hall that day, some I still talk to. Fats, Star, Divine, Smoke. That dinner, they served Cornish hens. I didn’t know what that was then but knew it was delicious. Later found out these hens are juvenile chickens particularly tender for eating.
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The Lives They Lived: James Earl Jones
Freedom Reads Founder & CEO Reginald Dwayne Betts wrote about James Earl Jones for The New York Times Magazine's Lives They Lived series.
Fifteen Questions: Reginald Dwayne Betts on Vulnerability, Collective Memory, and Freedom Reads
Freedom Reads Founder & CEO Reginald Dwayne Betts spoke with Fifteen Minutes, the magazine of the Harvard Crimson, about literature, poetry, prison, and freedom.
Why a Cellmate is Not like a Roommate
“The prison is like an isolated town with nowhere to go. And the cell is our whole house,” Biktor B. writes, adding that this “house” is shared by complete and often incompatible strangers, who have next to nothing in common.
What Is it Like to Live in a Halfway House?
Kashawn Taylor writes about the expectations and realities of living in a halfway house after leaving prison, noting “it feels like freedom, with an asterisk.”
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December 2024 Newsletter
Freedom Reads: What Matters Most
Latest Episode
The Past's Presence: Jesmyn Ward
In today’s episode, Jesmyn Ward reads from her third novel, Sing, Unburied, Sing, which is at once a bildungsroman, a ghost story, an epic, and a road novel. In portraying the suck of Parchman Prison on the generations of one Mississippi family, Ward deftly explores how the real threat of incarceration haunts these psyches and, in turn, these familial relationships. In this moving conversation, Ward reflects on living with grief, on listening for communications from beyond our immediate reality, and on the central commitments of her work: to restore agency to the kinds of characters too often denied a voice—and to grant acceptance to the ones harder to forgive. (July 26, 2021)